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Showing posts with label southeast asia heavy metal. Show all posts
Showing posts with label southeast asia heavy metal. Show all posts

Monday, May 7, 2012

Southeast Asia Heavy Metal: SINGAPORE

Southeast Asia Heavy Metal
Podcast Tour 2012
-Indonesia, Singapore, Malaysia, Thailand, Philippines-
Episode 3: SINGAPORE

Singaporean Flag

Episode 3 of our Southeast Asian Heavy Metal Tour takes us to Singapore. The Metal Lions are still untamed since our last visit in 2007.  Still differentiating themselves from their country neighbors in three important aspects 1) Well Produced Metal 2) Contemporary Outlook on Metal (mostly similar to what is popular in the US, nowadays) and 3) Quality over Quantity (a small huge scene). Nevertheless, one new aspect has to be taken in accountant, the youth of Singapore. New bands with fresh ideas and a desire to leave their own mark are self-launching themselves into the scene; adding for more diversity and a much better balanced scene. Taking in account that when we first did a special on Singaporean metal back in 2007 most of the younger kids who are featured with songs in this new special were thirteen or less, and now, five years later have started to contribute significantly to the scene. This is probably one of the most significant changes we noticed since we last documented the bands from Singapore. On the other hand, aspects like well-produced music, the musicians liking for more contemporary styles of metal and the quality of the bands remain the same.

Metal fans
Metal fans at Morbid Angel concert (2011, Metal-rules.com)

 “…a well produced CD, actually goes a long way!” –Taufik, vocals METAL GUNZ. The quality of Singaporean productions has mostly been on another level compared to its neighboring countries. Singaporean metal artists benefit from better recording houses and experienced sound engineers as Taufik explains, “Most of our audio engineers are more competent. The studios that record rock and heavy metal in Singapore; those guys know the kind of sound of the different bands that are out there; so they know how to achieve that kind of sound. Actually, most guys in Singapore have their own little setup at home; so when they get to recording they know the kind of sound that they want; and they know how to get it.” Some bands have attracted the attention of international metal labels such as Earache Records. For example, WORMROT a grindcore band which many extreme metal bands in Singapore respect. Consequently, if it’s good enough to catch the ear of an international metal label then a well-produced record does go a lengthy way. 

Taufik
Taufik Abdullah, vocals METALGUNZ

Singaporean metal artists have been able to stay relatively modern sounding. Similar to the Philippines, Singapore has always taken a liking for a more Avant-garde approach to metal music. This modern approach has been taken up mostly by the younger bands as Ryan guitars for DEUS EX MACHINA illustrates. “…a lot of kids are going into Metalcore rather than doing what the rest of us are doing. That’s a really big scene right now across Southeast Asia.” Regarding the current scene in Singapore Taufik vocals for METAL GUNZ states, “In my opinion, the metal scene in Singapore, it f*cking changes every year. It could be a totally different scene at the end of the year, but who knows? Young bands that are coming up; it’s great. They are bringing their own music, different kind of sound. I guess whatever is popular this time around. When I first started out playing it was thrash and heavy metal, and then it was black metal, then death metal, now I guess it’s grindcore which is awesome. The mix of bands in Singapore, if you go to a local gig, there will be death metal, thrash, grindcore, it’s f*cking awesome, you know. And new bands are always brining their own little twist to whatever genre they are playing, so I think it’s cool. Like I say, the local scene changes every other f*cking year, so we’ll see, we’ll see how it goes.” Young bands in Singapore are influenced by modern American styles of metal; however, they would like to be seen not as if they are simply copying what the Americans are doing as Farhan guitars for metal core ambient band EMBRACE THEM GHOSTS points out, “We see the American bands as a reference for our music. For example; the guitar sound; and the way how they portray their music.” Rex, lead vocals for the band interjects by adding, “We only take reference from them, but we do create our own sound…for us we have our own style; our own kind of oriental feel, we also have our own break-downs that we define on our own terms.” Regarding more traditional extreme metal styles of metal and how the fans assimilate, members of the band DYETH express their gratitude to the fans, “For here in Singapore, the fans really give us a whole lot of support; and the band is really grateful; and say thanks to them for at least supporting us preform; so that we can strive harder.” The extreme metal scene in Singapore is relatively small but very much united as bass player/vocals, Fiaz, for death metal band ASILENT explains, “The extreme music scene here in Singapore is actually small. Reason being we are a small country ourselves. But the love and passion that the fans have here for extreme music is the same as anywhere else. So, any touring bands or even local bands play a show here; we will show you the same amount of love and support anywhere else.” The old kids and the new kids all get along. “We get along pretty well with them. I think there’s a certain amount of respect that we’ve all built up within the scene itself. It’s not really huge, so everyone knows each other in a sense.”, Ryan guitars DEUS EX MACHINA. 

 Ryan
Ryan Joseph, guitars DEUS EX MACHINA

Interesting to point out is what fuels metal musicians’ inspiration in Singapore. It is quite distinct to each artist and mostly depends on the genre of metal being portrayed as Clarence vocals for melodic death metal band ASSUALT explains, “To me personally, metal is all about frustration, anger…society. In Singapore, actually we have a lot of social issues such as the influx of foreigners; and I mean the government is not doing anything about it.” As far as fuel for his music, guitarist Ryan for DEUS EX MACHINA states, “For me it’s just putting out my ideas; getting rid of some anger; it’s also creating an output for all of us.” However, releasing anger and bringing to light social issues are not all that inspire metal musicians in Singapore. For some musicians, playing metal music is reaching out to like-hearts with a sense of compassion. Such is the case of young guitarists and vocalist for the band ENESYA, Justin, “…the tragedy that happens in our lives, but also in the world. I get quite affected by people who suffer even if he or she is not related to me. I would channel this energy and blend it into the songs.” Other musicians desire for fans to connect with them on a more spiritual level such is the case of Rex vocals for EMBRACE THEM GHOSTS, “Actually, we write a lot about the journey in life. We believe, we have been broken in a way or another…we want to touch the hearts of the crowd, people that listen to our songs. So, in the songs that we write it is okay to be broken. It is okay to fall and get back up again.” Finally, some kids just want to have fun. In the case of Nazri “…just have fun; that’s why we are called the After Party Kids, have fun, party and chase your dreams!” 
Assilent
ASILENT

Hey! What about the ladies? Yup, they are present, too! Although not too many as active members in bands, but only one band we knew of through ECHO Productions, all girl production company, leaded by head promoter Lydia. Despite this, some ladies in the scene are responsible for setting up gigs, promoting bands, and organizing national and international tours such is the case of the ladies from ECHO Productions, Lydia, Sya and Lyn (see funny picture below). “We bring in bands from everywhere. We don’t limit ourselves to any genre, but most of time we seem to be doing a lot of hardcore and metal shows, and sometimes punk rock. The only thing we haven’t done, I think, is techno because it’s our next project and maybe not!” (*laugh and talk among themselves). Regarding the newest projects, the girls share the following confidential information, “An upcoming one we are going to do is FALL OF MIRRA, our local band, for their album launch party and other than that we have been talking to a couple of bands from all over the world but we cannot say anything yet; nothing to confirm yet; still in talks; (it’s a secret..*somebody whispers.) And it’s a secret, and we don’t want you to know, yet, but other than that we are helping out friends with shows.”
 Echo girls
Lydia, Sya, Lyn ECHO Productions
ECHO

In short, Episode 3 of this 5 part series on Southeast Asian Metal has shown us how well produced music; a contemporary outlook on metal; quality over quantity; gifted musicians with the right promotion can go a long way despite geographical limitations.  Add to that an emerging number of young musicians, who unequivocally will contribute to shape the future of Singaporean metal.  Furthermore, the already established bands that persevere in releasing new records continue to influence the younger generations and get better over time. All of these attributes together, make up the soul of the metal lion which will continue to roar over Southeast Asia and the rest of the world in the many years to come.  
 Baybeats
Baybeats Concert 2009

BANDS/SONGS IN ORDER OF APPEARANCE
1. WORMROT - COMPULSIVE DISPOSITION/THE FINAL INSULT
WEBSITE, FREE DOWNLOAD DIRGE ALBUM FROM EARACHE RECORDS

DIRGE
2. DEUS EX MACHINA - JIGSAW
WEBSITE
deus
3. ASSUALT - SUBVERSION
WEBSITE
aSSUALT
4. THE AFTER PARTY KIDS - FAME ISN'T IN ME
WEBSITE
afterpartykids
5. METAL GUNZ - BLOOD HARVEST
WEBSITE
Megalgunz
6. EMBRACE THEM GHOSTS - THIS TAKES TWO TO TANGO
WEBSITE
Embrace Them Ghosts
7. ENESYA - A HALF STEP AWAY FROM DEATH
WEBSITE
Enesya
8. WORMROT - PUBLIC DISPLAY OF INFECTION
9. DYETH - DISMEMBERED & INFECTED
WEBSITE
DYETH
10. ASILENT - FEAST FOR THE BEAST
WEBSITE
ASilent

Listen or Download our 2007 Southeast Asian Podcast Tour
SEA
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Saturday, April 21, 2012

Southeast Asia Heavy Metal: INDONESIA

Southeast Asia Heavy Metal
Podcast Tour 2012
-Indonesia, Singapore, Malaysia, Thailand, Philippines-
Episode 2: INDONESIA 

Indonesian Flag

Episode 2 of our Southeast Asian Heavy Metal Tour takes us to the “Metal Archipelago”. Indonesian heavy metal is characterized by four basic components. 1) Metal is Power 2) Your Metal Scene is Your Extended Family 3) Respect Your Fans, and most importantly 4) Be Proud. Furthermore, if you manage to express your anger and rage through guttural vocals accompanied by heavy distortion and blast drums than you couldn’t have found a much better place in the whole of Southeast Asia. Here, in Indonesia, extreme metal is the sovereign ruler of this mystical land.  


Prenicious Hate Live
Pernicious Hate live at Jakarta, DEATH FEST 2011
Indonesia has set itself apart from its neighbors in Southeast Asia by taking heavy music to its extremes. A guttural vocalist is much more venerated and appreciated than any other kind of metal singer in the scene. With the extreme genres of Death Metal, Grindcore and Black Metal on the top, other genres of metal which are more popular in the west are not as prevalent in Indonesia. Moreover, bands in the power metal or melodic genres are scarce and hard to come by. However, the very few that do exist manage to put out a respectable effort. Such is the case of the only power metal band in this episode, VALERIAN. Exceptionally isolated like if on their own island (that figures), bands like VALERIAN are something special. However, you wouldn’t consider female death metal singers as “special” in Indonesian metal. For example, take female death metal signer Popo Puji. No doubt this woman can sing guttural vocals like the best of them and provide the necessary attitude on stage for the band to which she belongs, DEMONS DAMN. Regarding what motived Popo Puji to take up extreme metal, “I was motived by myself because I wanted to show to the people that I can play this metal, not only guys can play metal, women can also. I wanted to be a clever metal head not a follower…so; I push myself to learn much about this music.” No doubt Popo Puji is exceling in her craft. Testament to that are the songs she has already recorded from which you will hear the song “Dominasi Arogansi”. As for subject matter for Popo Puji’s lyrics, “My lyrics are mostly about anger, revenge and traitors. I try to image what I felt. Maybe in another life, I can express my anger…I try to bring my evil side of me.” Furthermore, Popo Puji is opening the way for more female participation in metal bands in the near future. And it goes to show you that chicks in Indonesia are also very much extreme when it comes to their metal just like the guys.

Popo Puji
Popo Puji, vocals DEMONS DAMN
“It’s an energizing power, and Black Metal’s role is in executing; a pull trigger; can you read me? Can you see the mystical power in Black Metal in this land? It’s destructive!” Djiwo Ratriarkha vocals for MAKAM. Hailing from Solo, Java, MAKAM has been in existence for more than 16 years. MAKAM has been playing their on indigenous version of folk black metal based on mystical and old legends of the land in which they inhabit. “Anybody can make a Black Metal band, initially. But I’m sure they did not recognize their own character of their selves. So, why not try to explore the true colors of your soul? That would be good, guy. Trust me.” On the verge of releasing a new album, “MAHAMAKAM”, and a book documenting their sixteen year span career, MAKAM will continue to infuse with power their dark minions of fans called ‘The Raider Klan”. Metal is Power across Indonesia, and MAKAM is just one of the many extreme metal bands in the archipelago that embraces it. 

Makam Live
Djiwo Ratriarkha vocals MAKAM
“We don’t like to call them fans; we like them like friends.”- Ferly, JASAD( BUSUK, 2011). Respect your fans by treating them as your equals, not as your inferiors. Something that is mostly natural for many bands in Indonesia is to consider their fans as friends or an extended version of their families. Regarding the metal scene in Indonesia, JASAD’s  drummer, Abaz states, “…it can be like a second family.” (BUSUK, 2012). When asked what was the scene like in Indonesia, guitarist for SPIDER’S LAST MOMENT, Aryo, stated, “…Indonesia has a lot of metal bands, and lot of metal fans, as well. This situation encourages us to be different and give another choice or alternative colors to the metal scene in Indonesia.” Borok, bass player for CARAVAN OF ANACONDA states regarding the scene in Indonesia, “The band likes playing in Indonesia. Actually, many people here like our style, many support us.” If more bands from the west respected their fans like Indonesian bands do then they would have many supporters and also consider their fans as extended versions of their families.


Spider's Last Moment live
SPIDER'S LAST MOMENT at Valentine Attack


You play extreme metal in Indonesia. So feel proud of yourself. When asked how she felt, Popo Puji, when singing in front of a crowd, she simply replied, “Proud.” Additionally adding, “Proud of my city...my town...of the many great musicians born here, of the many great bands from Bandung, and I am proud to be part of the Death Metal Community in Bandung, in Indonesia of course.” Djiwo, vocals MAKAM, expresses his pride for the scene by stating, “In this country, you put out to learn by doing it; it’s something that we call old school, and always with pride.” So in the end, in Indonesia, you are not just a metal head, you are a proud metal head.
   
Anhoenk
Sacrifice Indo by Andhoenk
With all its rich indigenous culture and proud people, Indonesia has evolved, in the heavy metal aspect, separately from its neighboring countries in Southeast Asia. Perhaps, it’s due to natural phenomenon caused by “island rule” in which species get smaller or bigger depending on the resources available in the environment (Foster’s Rule). Perhaps, this could explain metaphorically why extreme metal is so big in Indonesia and other genres are just not prevalent. Or perhaps, we should also look into how religion and society afflicts any developing nation. The most natural response is to go as extreme and heavy as possible. For the time being, we understand that to Indonesians heavy metal music is power. This power is shared by fans and musicians alike as they are part of a scene (family) which respects each other’s roles. In the end, we can say that Indonesian metal heads are proud of their heavy metal music, and most of all, they are proud of being part of it. “…be true to yourself and hellyeargghh!” ~Djiwo, MAKAM

Artists/Songs in order of appearance

1. DEMONS DAMN - Dominasi, Arogansi
Bandung, Indonesia website
Demons Damn
Read BUSUK Webzine interview with DEMONS DAMN

2. WAFAT - Terrible Retaliation
Surabaya East Java, Indonesia website
Wafat

3. COSMIC VORTEX - Machine Gun Leg
Jakarta, Indonesia website
Cosmic Vortex

4.TENGGOROKAN - Fuck The Blasphemy
Kediri, Indonesia, website
Tenggorokan
Read BUSUK Webzine interview with Tenggorokan

5. RESIST THE DOOMS DAY - Reigns of Arrogance
Jakarta, Indonesia, website
Resist The Dooms Day

6. MAKAM - Merkurius Equator
Solo Java, Indonesia, website, Facebook group 
 MAKAM
MAKAM LOGO
Purchase Kayon Hoodie MAKAM
Longsleeve-Mid East Abrahamicide
Hoodie
Listen to our 2007 special with MAKAM. Included a full interview in English with Diwjo (vocals).
MAKAM Featured Artist 2007

7. SACRIFICE - Nusa Tembini
SIDOARJO, Indonesia, website
Sacrifice
Read GRIMCORPSE Webzine interview with SACRIFICE

8. VALERIAN - Arise
Surabaya, Indonesia, website
Valerian
Read BUSUK Webzine interview with VALERIAN

9. CARAVAN OF ANACONDA - Liga Kanibal
Bandung, Indonesia, Website
Carvan of Anaconda

10. SPIDER'S LAST MOMENT - Regret I shall Comprimise
Yogyakarta, Indonesia, website
Spiders Last Moment

11. PERNICIOUS HATE - Tragically
PURWOKERTO, Indonesia, website
Pernicious Hate
Purchase Pernicious Hate T-shirts, contact Imam Santosa 62 85624442777
Prenicious Hate Tee
12. EMPTYS - Desember Maha Sadis
Gresick, Indonesia, website

Emptys
13. JASAD - Bless My Wrath

Bandung, Indonesia, website
Jasad
Read BUSUK Webzine interview with JASAD

CHECK OUT BLASTING OF DEATH ISSUE #10, April 2012
Blasting of Death
Blasting of Death

Traditional Indonesian Music
by Nindy Bynez 

Indonesian Traditional Instruments

The name of Indonesian folkore music is Keroncong, Dangdut, Campursari.

Kroncong (pronounced "kronchong"; Indonesian: Keroncong, Dutch: Krontjong) is the name of a ukulele-type instrument and an Indonesian musical style that typically makes use of the kroncong (the sound chrong-chrong-chrong comes from this instrument, so the music is called keronchong), the band or combo or ensemble (it called as keronchong orchestra) consist of a flute, a violin, a melody guitar, a cello in pizzicato style, string bass also in pizzicato, and a female or male singer.

Dangdut is a genre of Indonesian popular music that is partly derived from Malay, Arabic, and Hindustani music. It developed in the late 1960s and 1970s among working-class Muslim youth in Java, but beginning in the late 1990s reached a broader following in lower class Indonesians, Malaysia, and the southern Philippines.
Names of Indonesian Traditional Instruments

A dangdut band typically consists of a lead singer, male or female, backed by four to eight musicians. Instruments usually include a tabla, mandolin, guitars, and synthesizers.The term has been expanded from the desert-style music to embrace other musical styles. Modern dangdut incorporates influences from Middle Eastern pop music, Western rock, house music, hip-hop music, contemporary R&B, and reggae.

The Campursari term in Indonesia's national music world refers to the mixture (crossover) few contemporary Indonesian music genre. Campursari name is taken from the actual Java language is general. Campursari music in the middle to eastern part of Java, especially related to the modification of gamelan musical instruments that can be combined with western musical instruments, or vice versa. In fact, the instruments 'foreign' this 'subject' in the grip of music that favored the local community: Java style and gending.
Listen to or Download our 2007 Southeast Asian Podcast Tour
SEA Podcast Tour 2007

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How metal is your dog?

Click on the image to visit the store
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Listen to the show, find out how to win one of these tees!
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BUSUK Webzine

Interviews with Indonesian, Southeast Asian and Foreign Metal Bands all Metal Genres
Busuk Webzine Website